A room with a view
(Book)
This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young English woman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson--who is entirely unsuitable and whose father just may be a Socialist--Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England she is courted by a more acceptable, if stifling, suitor, and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.
Notes
Forster, E. M. 1., & Bradbury, M. (2000). A room with a view. New York, Penguin Books.
Chicago / Turabian - Author Date Citation (style guide)Forster, E. M. 1879-1970 and Malcolm Bradbury. 2000. A Room With a View. New York, Penguin Books.
Chicago / Turabian - Humanities Citation (style guide)Forster, E. M. 1879-1970 and Malcolm Bradbury, A Room With a View. New York, Penguin Books, 2000.
MLA Citation (style guide)Forster, E. M. 1879-1970. and Malcolm Bradbury. A Room With a View. New York, Penguin Books, 2000.
Record Information
Last Sierra Extract Time | May 08, 2024 02:14:56 PM |
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Last File Modification Time | May 08, 2024 02:15:46 PM |
Last Grouped Work Modification Time | May 13, 2024 08:51:04 PM |
MARC Record
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245 | 1 | 2 | |a A room with a view /|c E.M. Forster ; introduction and notes by Malcolm Bradbury. |
264 | 1 | |a New York :|b Penguin Books,|c 2000. | |
300 | |a xxviii pages, iv unnumbered pages, 206 pages ;|c 20 cm. | ||
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520 | |a This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young English woman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson--who is entirely unsuitable and whose father just may be a Socialist--Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England she is courted by a more acceptable, if stifling, suitor, and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion. | ||
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